Puppet Pin Tool After Effects Cs6 Tutorials

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After effects cs6 tutorial

By default, Illustrator identifies the appropriate areas to transform your artwork and automatically add pins to the artwork to warp the art in the best way. This feature is enabled by default when the Puppet Warp tool is selected.

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To disable this feature, deselect the Enable Content Aware Defaults option in the Edit  Preferences  General ( Windows) or Illustrator  Preferences  General ( Mac OS) menu.You can also add more pins by clicking the areas you want to transform or anchor. Three or more pins are required for good results. To delete the pins, press the Delete key.

Quit stacking up layers in the timeline in Apple FCPX to create your bullet lists! They're kludgy, tough to layout, tough to make changes, and just plain unnecessary. There's a better way, and Bret Williams from BretFX is here to show you how to use the custom title to animate and time your bullet lists in FCPX, using hold frames to time your bullet points to audio. You can create, animate, and design your bullet points all within a single title on the timeline, making spacing, styling, and animation a breeze. Universally change or edit the font, spacing, position, and more! 'Create this frosted glass title effect for use in FCP X and amaze your friends,' says longtime VFX artist, editor, software developer, and business owner Simon Ubsdell.

'Nothing hugely fancy but a set of standard tricks you should find useful.' Along the way, you'll work with clones, grouping, blurs, masking, levels, rigs, the Cellular generator, Glass Distortion, and the Extrude filter, along the typical plethora of Apple Motion workflow tweaks to provide maximum finesse with minimal effort. From there, you'll see how to add the title effect to FCPX, where you can customize and reuse to your heart's content. Join Bret Williams from BretFX for look at some best practices when incrementing project versions in Apple Final Cut Pro X. Real easy book bass clef pdf reader free. Learn when and how to use snapshots, duplicates, and compound clips to quickly, safely and efficiently address project versioning and client changes in a fictional show called Outdoor Explorer.

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Bret will show you how to create smart collections and use them to organize project versions and snapshots, as well as showing what it means to 'reference a new parent clip' to duplicate a compound clip and replace it automatically. Director-Editor Todd Douglas Miller creates more than just another space documentary with his film Apollo 11. He has helped expand the horizons of what we thought we knew about one of humankind's signature achievements by unearthing nearly 300 reels of previously unseen large-format film, up to 65 and 70mm, digitized with a first-of-its-kind 8K scanner, along with 11,000 hours of previously unheard audio recordings to provide previously only-imagined perspectives on our first mission to the moon. Creative COW's Courtney Lewis reveals how he put it all together with NASA, the National Archives, post house Final Frame, and tools from Adobe.